Rooted in the foundational principle of repetition, the Frecuencia Light Sculptures use bent steel bars—layered with subtle depth and offset—to shape negative space. These voids act as vessels for light, transforming the structure into an ethereal presence. As light passes through, it casts shadows and halos, creating a quiet suggestion of aura—a kind of vibrational divinity that radiates from the objects themselves.
Rather than simply emitting light, the sconces materialize it. They become atmospheric instruments—manifesting a cadence of form and illumination that dissolves the line between object and presence. Within the broader Frecuencia Collection, they continue the exploration of rhythm, repetition, and the subtle power of sculptural light.
A series of sculptural and architectural structures composed of continuous metal grids—crafted in brass or iron—each designed to hold one or more candles.
As the candles burn, melting wax drips and gathers within the lattice, creating an organic, unpredictable, and evocative formation. Over time, the accumulation of wax becomes a transient presence—ever-changing and alive—shifting the work’s appearance with each use.
A series of sculptural and architectural structures composed of continuous metal grids—crafted in brass or iron—each designed to hold one or more candles.
As the candles burn, melting wax drips and gathers within the lattice, creating an organic, unpredictable, and evocative formation. Over time, the accumulation of wax becomes a transient presence—ever-changing and alive—shifting the work’s appearance with each use.
The Gear Cartela marks the genesis of the Gear series—a foundational work that established the conceptual and material vocabulary later explored in the Tables, Desk and Lighting Sculptures.
Cartela distills the honeycomb-cardboard technique foundational to the Gear series into a vertically oriented, planar light sculpture. Visually commanding yet structurally refined, the work is slender in depth and wide in its frontal plane—offering a powerful contrast of presence and restraint.
Crafted in patinated bronze or aluminum, Cartela comprises vertical modules that reveal the iconic random cellular structure reminiscent of honeycomb patterns. As light filters through each module, it catches the edges and refracts a warm, sculptural glow—recalling how light plays across its irregular grid.
The Gear Cartela marks the genesis of the Gear series—a foundational work that established the conceptual and material vocabulary later explored in the Tables, Desk and Lighting Sculptures.
Cartela distills the honeycomb-cardboard technique foundational to the Gear series into a vertically oriented, planar light sculpture. Visually commanding yet structurally refined, the work is slender in depth and wide in its frontal plane—offering a powerful contrast of presence and restraint.
Crafted in patinated bronze or aluminum, Cartela comprises vertical modules that reveal the iconic random cellular structure reminiscent of honeycomb patterns. As light filters through each module, it catches the edges and refracts a warm, sculptural glow—recalling how light plays across its irregular grid.
Standing over two meters tall, this monumental column becomes a pillar of light, projecting ethereal halos into its surroundings. Cartela embraces chance, precision, and material resonance. The repetition of modules and subtle variations in casting highlight the artisanal hand. Light and material coalesce: the structure becomes both container and conduit, turning the functional into the metaphysical.
Cartela is realized as a limited edition or customized commission.
The Gear Cartela marks the genesis of the Gear series—a foundational work that established the conceptual and material vocabulary later explored in the Tables, Desk and Lighting Sculptures.
Cartela distills the honeycomb-cardboard technique foundational to the Gear series into a vertically oriented, planar light sculpture. Visually commanding yet structurally refined, the work is slender in depth and wide in its frontal plane—offering a powerful contrast of presence and restraint.
Crafted in patinated bronze or aluminum, Cartela comprises vertical modules that reveal the iconic random cellular structure reminiscent of honeycomb patterns. As light filters through each module, it catches the edges and refracts a warm, sculptural glow—recalling how light plays across its irregular grid .
Standing over two meters tall, this monumental column becomes a pillar of light, projecting ethereal halos into its surroundings. Cartela embraces chance, precision, and material resonance. The repetition of modules and subtle variations in casting highlight the artisanal hand. Light and material coalesce: the structure becomes both container and conduit, turning the functional into the metaphysical.
Cartela is realized as a limited edition or customized commission.
The Gear Cartela marks the genesis of the Gear series—a foundational work that established the conceptual and material vocabulary later explored in the Tables, Desk and Lighting Sculptures.
Cartela distills the honeycomb-cardboard technique foundational to the Gear series into a vertically oriented, planar light sculpture. Visually commanding yet structurally refined, the work is slender in depth and wide in its frontal plane—offering a powerful contrast of presence and restraint.
Crafted in patinated bronze or aluminum, Cartela comprises vertical modules that reveal the iconic random cellular structure reminiscent of honeycomb patterns. As light filters through each module, it catches the edges and refracts a warm, sculptural glow—recalling how light plays across its irregular grid .
Standing over two meters tall, this monumental column becomes a pillar of light, projecting ethereal halos into its surroundings. Cartela embraces chance, precision, and material resonance. The repetition of modules and subtle variations in casting highlight the artisanal hand. Light and material coalesce: the structure becomes both container and conduit, turning the functional into the metaphysical.
Cartela is realized as a limited edition or customized commission.
An exploration around the journey of light as expressed through metal surfaces, this work symbolically evokes the beginning and the end, light and darkness, dusk and dawn, tension and flexion. It is also inspired by Félix Candela’s hyperbolic paraboloid structures.
The poetry of shadow — the absence of light — is always as meaningful as its presence. In every iteration, light is contained and shaped by metal: in scale, surface, and expression. The form of each piece lends a distinct architectural quality to the sculpture.
An exploration around the journey of light as expressed through metal surfaces, this work symbolically evokes the beginning and the end, light and darkness, dusk and dawn, tension and flexion. It is also inspired by Félix Candela’s hyperbolic paraboloid structures.
The poetry of shadow — the absence of light — is always as meaningful as its presence. In every iteration, light is contained and shaped by metal: in scale, surface, and expression. The form of each piece lends a distinct architectural quality to the sculpture.
An exploration around the journey of light as expressed through metal surfaces, this work symbolically evokes the beginning and the end, light and darkness, dusk and dawn, tension and flexion. It is also inspired by Félix Candela’s hyperbolic paraboloid structures.
The poetry of shadow — the absence of light — is always as meaningful as its presence. In every iteration, light is contained and shaped by metal: in scale, surface, and expression. The form of each piece lends a distinct architectural quality to the sculpture.
An exploration around the journey of light as expressed through metal surfaces, this work symbolically evokes the beginning and the end, light and darkness, dusk and dawn, tension and flexion. It is also inspired by Félix Candela’s hyperbolic paraboloid structures.
The poetry of shadow — the absence of light — is always as meaningful as its presence. In every iteration, light is contained and shaped by metal: in scale, surface, and expression. The form of each piece lends a distinct architectural quality to the sculpture.
The Gear Side Tables Draw its inspiration from honeycomb cardboard—typically used for structural reinforcement—the tables reinterpret the aleatory vertical striations revealed when the material is cut, translating them into cast aluminum and bronze. The result is a rich interplay of texture, tone, and geometry.
The side tables present a rational an rectilinear expression. Their silhouette and layered composition maintain the essence of the Gear series while asserting a distinct architectural presence.
Bold in proportion and finely executed, the pieces evoke oversized mechanical ornaments, scaled architectural fragments, or abstracted jewelry. Part of the broader Gear series—which includes a table, a desk, and lighting sculptures—these side tables exist at the intersection of utility and poetry, precision and spontaneity. More than functional objects, they are contemplative pieces that shift with the light and subtly transform their surroundings.
The Gear Side Tables Draw its inspiration from honeycomb cardboard—typically used for structural reinforcement—the tables reinterpret the aleatory vertical striations revealed when the material is cut, translating them into cast aluminum and bronze. The result is a rich interplay of texture, tone, and geometry.
The side tables present a rational an rectilinear expression. Their silhouette and layered composition maintain the essence of the Gear series while asserting a distinct architectural presence.
Bold in proportion and finely executed, the pieces evoke oversized mechanical ornaments, scaled architectural fragments, or abstracted jewelry. Part of the broader Gear series—which includes a table, a desk, and lighting sculptures—these side tables exist at the intersection of utility and poetry, precision and spontaneity. More than functional objects, they are contemplative pieces that shift with the light and subtly transform their surroundings.
The Gear Side Tables Draw its inspiration from honeycomb cardboard—typically used for structural reinforcement—the tables reinterpret the aleatory vertical striations revealed when the material is cut, translating them into cast aluminum and bronze. The result is a rich interplay of texture, tone, and geometry.
The side tables present a rational an rectilinear expression. Their silhouette and layered composition maintain the essence of the Gear series while asserting a distinct architectural presence.
Bold in proportion and finely executed, the pieces evoke oversized mechanical ornaments, scaled architectural fragments, or abstracted jewelry. Part of the broader Gear series—which includes a table, a desk, and lighting sculptures—these side tables exist at the intersection of utility and poetry, precision and spontaneity. More than functional objects, they are contemplative pieces that shift with the light and subtly transform their surroundings.
The Gear Side Tables Draw its inspiration from honeycomb cardboard—typically used for structural reinforcement—the tables reinterpret the aleatory vertical striations revealed when the material is cut, translating them into cast aluminum and bronze. The result is a rich interplay of texture, tone, and geometry.
The side tables present a rational an rectilinear expression. Their silhouette and layered composition maintain the essence of the Gear series while asserting a distinct architectural presence.
Bold in proportion and finely executed, the pieces evoke oversized mechanical ornaments, scaled architectural fragments, or abstracted jewelry. Part of the broader Gear series—which includes a table, a desk, and lighting sculptures—these side tables exist at the intersection of utility and poetry, precision and spontaneity. More than functional objects, they are contemplative pieces that shift with the light and subtly transform their surroundings.
The Gear Side Tables Draw its inspiration from honeycomb cardboard—typically used for structural reinforcement—the tables reinterpret the aleatory vertical striations revealed when the material is cut, translating them into cast aluminum and bronze. The result is a rich interplay of texture, tone, and geometry.
The side tables present a rational an rectilinear expression. Their silhouette and layered composition maintain the essence of the Gear series while asserting a distinct architectural presence.
Bold in proportion and finely executed, the pieces evoke oversized mechanical ornaments, scaled architectural fragments, or abstracted jewelry. Part of the broader Gear series—which includes a table, a desk, and lighting sculptures—these side tables exist at the intersection of utility and poetry, precision and spontaneity. More than functional objects, they are contemplative pieces that shift with the light and subtly transform their surroundings.
The Frecuencia Bench is constructed from a singular silhouette, articulated through subtle variations in height and length that introduce both structural clarity and visual cadence. Formed from continuous bent steel bars, the bench vibrates visually along its span—its polished surfaces reflecting light in shifting patterns, giving the impression of a form in flux or gently dissolving.
Repetition becomes the defining gesture: the multiplied linear elements shape the bench’s volume while evoking a sense of perpetual motion—an endless, functional vibration rendered visible. Negative space plays a vital role, allowing the form to breathe and the rhythm to resonate in its surroundings.
Part of the Frecuencia Collection, the bench extends the series’ exploration of movement, light, and sculptural presence—where function is inseparable from a deeper expression of rhythm and material poetry.
The Frecuencia Chairs emerge from a single silhouette and intention. Formed from continuous bent steel bars, they express a tension between repetition and variation, structure and movement. Subtle shifts in height and length introduce both structural integrity and visual rhythm, while the reflective surfaces catch and refract light—creating the illusion of a form in motion or slowly dissolving into its surroundings.
Through multiplication and precision, the linear elements define the chair’s profile, transforming a functional object into a sculptural presence. The bars suggest an endless vibration—a cadence made visible—where negative space becomes as integral as the material itself.
As part of the Frecuencia Collection, these chairs echo the series’ broader language: a poetic exploration of rhythm, presence, and the quiet energy that emerges when structure and variation converge.
Sculptural in presence and precise in execution, the Gear Table reflects Héctor Esrawe’s ongoing exploration of structure, rhythm, and the dialogue between function and form.
Composed of cast-bronze discs, each slightly rotated and carefully polished, the table reveals a layered, stepped geometry that evokes mechanical motion. Along the edges, a honeycomb texture contrasts with the smooth, reflective surfaces above—adding depth, tactility, and a sense of movement.
A central void arcs through each layer, offering glimpses into its inner geometry. More than functional, this opening becomes a gesture of transparency—an invitation to see through the object and into its architectural logic.
The piece draws inspiration from honeycomb cardboard, an industrial material used for reinforcement. When cut, it reveals spontaneous edge patterns with sculptural potential—forms that here evolve into a refined, symbolic presence, evoking tectonics and the quiet drama of erosion and time.
With its mirror-like surface, the table refracts daylight and ambient light, producing shimmering reflections that animate the space and respond to movement. It becomes an ever-shifting presence, blurring the boundary between object and atmosphere.
More than a table, Gear CT bridges industrial inspiration and poetic form—uniting the mechanical with the organic, the functional with the sublime.
The Gear Desk is crafted from cast polished bronze and continues the evolution of the Gear series—a collection that transforms industrial inspiration into sculptural design. Rooted in the structural qualities of honeycomb cardboard, the desk draws from the unpredictable vertical striations revealed when the material is cut. These textures are translated into bronze through layered compositions and refined surfaces that celebrate both precision and chance.
Departing from the radial geometry of other pieces in the series, the desk embraces a more organic silhouette—its contours softened. The result is a form that feels fluid, and monumental. Its undulating lines evoke natural erosion or geological formations, subtly referencing the passage of time and the tension between permanence and transformation.
Though fully functional, the Gear Desk transcends its typology. It stands as a sculptural object—an over-scaled ornament or a relic from an imagined future—bridging the mechanical and the organic, the utilitarian and the poetic. Together with the Gear coffee table, side tables, and light sculptures, it reinforces the series’ commitment to material, technique exploration and the high artisan skill level present in our culture.
The Gear Cartela marks the genesis of the Gear series—a foundational work that established the conceptual and material vocabulary later explored in the Tables, Desk and Lighting Sculptures.
Cartela distills the honeycomb-cardboard technique foundational to the Gear series into a vertically oriented, planar light sculpture. Visually commanding yet structurally refined, the work is slender in depth and wide in its frontal plane—offering a powerful contrast of presence and restraint.
Crafted in patinated bronze or aluminum, Cartela comprises vertical modules that reveal the iconic random cellular structure reminiscent of honeycomb patterns. As light filters through each module, it catches the edges and refracts a warm, sculptural glow—recalling how light plays across its irregular grid.
The Gear Cartela marks the genesis of the Gear series—a foundational work that established the conceptual and material vocabulary later explored in the Tables, Desk and Lighting Sculptures.
Cartela distills the honeycomb-cardboard technique foundational to the Gear series into a vertically oriented, planar light sculpture. Visually commanding yet structurally refined, the work is slender in depth and wide in its frontal plane—offering a powerful contrast of presence and restraint.
Crafted in patinated bronze or aluminum, Cartela comprises vertical modules that reveal the iconic random cellular structure reminiscent of honeycomb patterns. As light filters through each module, it catches the edges and refracts a warm, sculptural glow—recalling how light plays across its irregular grid.
The Gear Cartela marks the genesis of the Gear series—a foundational work that established the conceptual and material vocabulary later explored in the Tables, Desk and Lighting Sculptures.
Cartela distills the honeycomb-cardboard technique foundational to the Gear series into a vertically oriented, planar light sculpture. Visually commanding yet structurally refined, the work is slender in depth and wide in its frontal plane—offering a powerful contrast of presence and restraint.
Crafted in patinated bronze or aluminum, Cartela comprises vertical modules that reveal the iconic random cellular structure reminiscent of honeycomb patterns. As light filters through each module, it catches the edges and refracts a warm, sculptural glow—recalling how light plays across its irregular grid.