Rooted in the foundational principle of repetition, the Frecuencia Light Sculptures use bent steel bars—layered with subtle depth and offset—to shape negative space. These voids act as vessels for light, transforming the structure into an ethereal presence. As light passes through, it casts shadows and halos, creating a quiet suggestion of aura—a kind of vibrational divinity that radiates from the objects themselves.
Rather than simply emitting light, the sconces materialize it. They become atmospheric instruments—manifesting a cadence of form and illumination that dissolves the line between object and presence. Within the broader Frecuencia Collection, they continue the exploration of rhythm, repetition, and the subtle power of sculptural light.
The Frecuencia Bench is constructed from a singular silhouette, articulated through subtle variations in height and length that introduce both structural clarity and visual cadence. Formed from continuous bent steel bars, the bench vibrates visually along its span—its polished surfaces reflecting light in shifting patterns, giving the impression of a form in flux or gently dissolving.
Repetition becomes the defining gesture: the multiplied linear elements shape the bench’s volume while evoking a sense of perpetual motion—an endless, functional vibration rendered visible. Negative space plays a vital role, allowing the form to breathe and the rhythm to resonate in its surroundings.
Part of the Frecuencia Collection, the bench extends the series’ exploration of movement, light, and sculptural presence—where function is inseparable from a deeper expression of rhythm and material poetry.
The Frecuencia Chairs emerge from a single silhouette and intention. Formed from continuous bent steel bars, they express a tension between repetition and variation, structure and movement. Subtle shifts in height and length introduce both structural integrity and visual rhythm, while the reflective surfaces catch and refract light—creating the illusion of a form in motion or slowly dissolving into its surroundings.
Through multiplication and precision, the linear elements define the chair’s profile, transforming a functional object into a sculptural presence. The bars suggest an endless vibration—a cadence made visible—where negative space becomes as integral as the material itself.
As part of the Frecuencia Collection, these chairs echo the series’ broader language: a poetic exploration of rhythm, presence, and the quiet energy that emerges when structure and variation converge.