Rooted in the foundational principle of repetition, the Frecuencia Light Sculptures use bent steel bars—layered with subtle depth and offset—to shape negative space. These voids act as vessels for light, transforming the structure into an ethereal presence. As light passes through, it casts shadows and halos, creating a quiet suggestion of aura—a kind of vibrational divinity that radiates from the objects themselves.
Rather than simply emitting light, the sconces materialize it. They become atmospheric instruments—manifesting a cadence of form and illumination that dissolves the line between object and presence. Within the broader Frecuencia Collection, they continue the exploration of rhythm, repetition, and the subtle power of sculptural light.
The Gear Side Tables Draw its inspiration from honeycomb cardboard—typically used for structural reinforcement—the tables reinterpret the aleatory vertical striations revealed when the material is cut, translating them into cast aluminum and bronze. The result is a rich interplay of texture, tone, and geometry.
The side tables present a rational an rectilinear expression. Their silhouette and layered composition maintain the essence of the Gear series while asserting a distinct architectural presence.
Bold in proportion and finely executed, the pieces evoke oversized mechanical ornaments, scaled architectural fragments, or abstracted jewelry. Part of the broader Gear series—which includes a table, a desk, and lighting sculptures—these side tables exist at the intersection of utility and poetry, precision and spontaneity. More than functional objects, they are contemplative pieces that shift with the light and subtly transform their surroundings.